Charles Thompson makes chairs and carvings in a humble workshop on a hill in western Massachusetts. His work reflects on vernacular forms, and uses a mixed vocabulary of techniques, patterns, and materials that speak to the efficacy of hand work. He typically works straight from the log, splitting, bending, manipulating, then rejoining wood in a process that leverages personal intention and celebrates common materials. He is the recipient of the 2024 John D Mineck Fellowship.
