Tables with Veneer and Verve

Owain Harris & Mike Korsak
September 23 – October 4

If you have already gained reasonable confidence with machines and hand tools, this course is a great opportunity to deepen your understanding of design and expand your woodworking skills. Owain and Mike guide each participant to create a modestly scaled, elegant table that combines solid wood with veneer for enduring strength and visual delight. Topics they survey through discussion and demonstration include design with attention to form and proportion; selection of wood and substrate materials; joinery that takes advantage of machine efficiency and hand tool versatility; patterning and application of both shop-sawn and commercial veneer for flat and curved surfaces; decorative elements such as string inlay, beads, and edgings; drawer making and fitting; pattern making and shaping for curved legs and other components; assembly; and finishing techniques for solid-wood and veneered surfaces.

Owain Harris is a self-employed woodworker in Gonic, NH, where he builds custom furniture and cabinetry. He entered the trade as a carpenter in 1997 and hung out his shingle as a furniture maker in 2008. He is a juried member of both the League of New Hampshire Craftsmen and the New Hampshire Furniture Masters Association. His work has received multiple awards, most recently the Maker/Designer Pinnacle Award from the International Society of Furniture Designers for a casepiece that was also featured on the back cover of last April’s Fine Woodworking. Owain’s work may be seen at

Mike Korsak is an award-winning furniture maker in Pittsburgh, PA. His work is exhibited in galleries and museums, including the Fuller Craft Museum in Brockton, MA, the State Museum of Pennsylvania in Harrisburg, PA, and the Westmoreland Museum of American Art in Greensburg, PA. In recent years he has written several articles for Fine Woodworking and his work has been featured in the Journal of the Guild of New Hampshire Woodworkers, among other publications. For more information, visit

Open to firmly intermediate and advanced woodworkers.

Tuition: $1,440


Harris Power of 9 TablePowers of Nine table by Owain Harris, Macassar ebony, camphor burl, maple, holly, dyed veneer, paint, and varnish (18”dia.x28”), 2018













Korsak 2Serotina by Mike Korsak, cherry, rosewood, curly maple, and white cedar (26.5"x15.25"x29"), 2018









Carved and Painted Boxes

Beth Ireland & Kimberly Winkle
September 2-6

This course in sculptural box making is a wonderful opportunity to explore new aesthetic territory. Each student creates a series of boxes with attention to form, surface decoration, and color. Participants can choose among a wide variety of construction techniques−including bandsaw boxes, lathe-turned boxes, and joined boxes−suitable to their experience levels and interests. Beth and Kimberly demonstrate techniques for working with: machine tools such as jointers, planers, bandsaws, lathes, drill presses, and grinders; with hand tools such as chisels, spokeshaves, rasps, files, carving gouges, and hand saws; and with milk paint for coloration.

Beth Ireland has been a professional woodworker since 1983, specializing in turning and sculpture. She holds an M.F.A. from the Massachusetts College of Art and Design, and her work has been widely exhibited and published, including a 2015 profile in American Woodturner. She has also held several prestigious Windgate Fellowships and participated in the International Turning Exchange. Beth’s business encompasses everything from production runs of turned balusters to sculpture to one-of-a-kind stringed instruments. She is the Lead Instructor for our Turning Intensive and teaches turning for the Comprehensive. Beth lives in St. Petersburg, FL and her website is

Kimberly Winkle is Associate Professor of Art and Director of the School of Art, Craft & Design at Tennessee Technological University. She exhibits painted furniture and objects at venues such as SOFA Chicago, Wanted Design NYC, and the Architectural Digest Design Show in New York. Publications include Fine WoodworkingWoodworker, and Woodworker West magazines, as well as 500 Chairs (Lark Books, 2008) and 500 Tables (Lark Books, 2009). Kimberly has participated in residencies at the International Turning Exchange in Philadelphia, SUNY Purchase in New York, Haystack Mountain School of Crafts in Maine, Vermont Studio Center, and Appalachian Center for Craft in Tennessee. Honors include four Niche awards, a State of Tennessee Individual Artist Award, and the 2014 John D. Mineck Furniture Fellowship from Boston’s Society of Arts and Crafts. Her website is

Open to all woodworkers except for absolute beginners.


Tuition: $810

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Ireland Band Saw BoxBand saw box by Beth Ireland, holly, ebony, bloodwood, (3" x 9"), 2006 

Winkle Hillside boxes Edited House on Hillside Boxes by Kimberly Winkle, polychrome poplar (20”x8”x10"), 2016


Hand-applied Finishes

Teri Masaschi
September 28 - October 2


Participants learn all aspects of the finishing process as practiced in the non-industrial furniture shop. By the end of the course, each participant knows how to fill grain, apply dyes and pigments, and put on hand-rubbed varnish, shellac, and oil finishes. Work is done on sample panels and students are encouraged to bring special pieces of their own wood on which to experiment with colors and finishes.

Through lecture and demonstration, Teri explains everything from wood preparation to rubbing out. This includes selecting the proper abrasives, sanders, and fillers; layering of colorants; bleaching, glazing, and brushing; French polishing; and, of course, techniques for rubbing the final finish to perfection.

Teri Masaschi is a professional woodworker, finisher, and restorer in Tijeras, NM with over 40 years of experience. She specializes in antique restoration and reproduction, as well as finishing for contemporary furniture makers. From 1994-2000 she was employed as Finishing Specialist/Product Manager for Woodworker's Supply. Teri writes extensively for Fine Woodworking and is a walking encyclopedia of finishing products and techniques, from the traditional to the cutting edge. Her book, Foolproof Wood Finishing: for Those Who Love to Build and Hate to Finish (Fox Chapel Publishing, 2006) is a must-have for furniture makers. Her website is

Open to all.

Tuition: $740

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masaschi-with-finishesTeri Masaschi













All About Finishing

Roland Johnson
June 1-5

Participants learn virtually all aspects of finishing, from hand-applied coatings to professional spray lacquers. By the end of the week, each participant knows how to fill grain to retain wood chatoyance; color with dyes and pigments; put on hand-applied varnish, shellac, and oil finishes; apply spray finishes; and work with milk paint.

Through lecture and demonstration, Roland takes students from wood preparation to rubbing out, while demystifying the many color and finishing products. This includes selecting the proper abrasives, sanders, and fillers; layering of colorants; bleaching and glazing; brushing; and rubbing the final finish to perfection. Work is done on practice panels provided by the school. Students are encouraged to bring special pieces of their own wood on which to experiment with colors and finishes.

Although the emphasis is on hand applied finishes, Roland also covers selection and use of various aerosols and conventional spray equipment, including safety issues, proper cleanup procedures, and correct spraying techniques. Participants use solvent-based products, as well as colored finishes and toners. Students who have spray equipment at home are welcome to bring it in for evaluation and practice.

Roland Johnson, a longtime professional woodworker in Sauk Rapids, MN, opened his first workshop in 1976. He has been a contributing editor to Fine Woodworking for more than two decades, writing hundreds of articles (and creating video classes) on finishing, hand tools, woodworking machines, and other topics. Additionally, Roland is a featured presenter with The Woodworking Shows.


Open to all.


Tuition: $820

Hands on FinishingStudents rub out panels with wax-charged steel wool to create a desirable sheen and surface.

















The Unplugged Woodshop

John Cameron
October 12-16

Well-tuned, sharp tools are the foundation of good workmanship, while their skilled use is one of life’s great pleasures. In this exercise-based workshop, students learn to get crisp, accurate results from chisels, planes, spokeshaves, and other traditional woodworking tools such as marking gauges and knives. John provides thorough instruction in selecting and tuning up your tools, hollow-grinding and honing razor-sharp edges, cutting mortise-and-tenon and dovetail joints, planing boards four-square, fairing curves, and more. Whether you work entirely without electricity or seek to combine the quiet satisfactions and adaptability of hand tools with the more rigid efficiencies of machinery, the skills acquired in this course are invaluable. 

John Cameron designs and builds fine furniture in Gloucester, MA. He studied with James Krenov at the College of the Redwoods from 1992-94, and is currently a juried member of the New Hampshire Furniture Masters. John has exhibited at the Smithsonian Craft Show, the Currier Museum of Art, and Boston’s Society of Arts and Crafts, among other venues. Publications include With Wakened Hands (Cambium Press, 2000) and Fine Woodworking. John’s website is


Open to novice and intermediate woodworkers.



Tuition: $820


 Kellogg detail paring pins